5 Awesome Sci-Fi Movie Technologies That’d Suck In Real Life

Why are we still driving non-flying cars to our non-space workplaces while fantasizing about our simply two-boobed prostitutes? Where are all the snazzy gadgets and awesome engineerings movies promised us? In many cases, they’re right here. We only don’t use them because, well, they kinda suck. Like how …


Controlling Computers With Hand Gestures Is Awful

In Minority Report , Tom Cruise plays a future policeman who tries to warn everyone that Max von Sydow is evil, but no one will believe him, even though he’s clearly Max von Sydow. But what most people recollect best are the scenes wherein Cruise controls his futuristic misdemeanour lab computer by waving his arms around.

How cool is that? Instead of having to say “enhance” and then clicking a boring age-old mouse, Cruise picks up files and videos from the air itself, and investigates them employing simple gestures. Soon, other movies were hopping in on this hot futuristic activity. From Iron Man 2

Marvel Studios

… to Prometheus

20 th Century Fox Spoilers: This movie will show up a lot in this article.

… to Star Trek: Discovery .

CBS Television Studios Thank you in advance for the 100 remarks about how this one’s not a movie.

Why We’re Not Applying This Today:

As everyone who has ever owned a Kinect knows, this turd get old fast . The biggest issue is that your limbs get tired very quickly if you hold them up for even a short period of time. If you induce that a long time, the sentiment gets absolutely excruciating. Engineers actually recognized this problem in the ‘8 0s, and even committed it a name: the “gorilla arm” effect. You know, because your arms get “sore, cramped, and oversized, ” and you end up seeming and seeming like a gorilla. Not even a cool sci-fi cyborg gorilla like in Congo .

Take another look at that Minority Report scene. When Cruise goes to shake Colin Farrell’s hand, he inadvertently moves a bunch of files he’s working on. That would happen all the time . Imagine you’re holding 350 slides that took you five hours to organize and you suddenly get an itch on your butt πŸ˜› TAGEND

20 th Century Fox Or any other activity where you might be shaking your hand while look at this place your screen …

Any interface that lies flat and gives you a wide range of control — even if you merely move your hands a few inches — would beat this thing … hands down . If simply we had something like that!


Sci-Fi Holograms Are Inferior To 2D Images In Almost Every Way

If somebody in a sci-fi movie needs to look at something important, a paltry two dimensions simply will not do. They necessity holograms for perfectly everything, even when audio alone would do the job. Like in Star Wars , when R2-D2 proves Leia’s holographic recording to a horned up Luke πŸ˜› TAGEND

Lucasfilm While Obi-Wan mutely hollers on the inside.

Here it is again in The Last Starfighter πŸ˜› TAGEND

Universal Pictures

And here’s a dude’s chief popping out of a monitor on Star Trek: Discovery πŸ˜› TAGEND

CBS Television Studios

Hell, even the highly advanced race of spacefaring monsters who made humankind love holograms! From Prometheus πŸ˜› TAGEND

20 th Century Fox You need to adjust the tracking on your Space Voldemort.

Why We’re Not Applying This Today:

You may have noticed something about the holograms above: They A) look like turd, B) are entirely pointless, or C) both. That pretty much sums up holograms in the real world, too. Remember that time Tupac’s blue ghost crashed a Snoop Dogg performance? And recollect how the company responsible went bankrupt soon thereafter? Turns out there isn’t much real used only for blurry, semi-transparent 3D projections that cause eye strain if you look at them for too long.

Even the nicest example is so fuzzy and transparent that it’s not clear why you would bother with it over a 2D video feed. In the 2017 Ghost In The Shell , a hologram is used to reconstruct a murder scene, but it’s so imprecise( red hue, kinda blurry, semi-transparent) that it’s hard to think of a use for it other than constructing up for the investigator’s chronic lack of imagination.

Paramount Pictures “Ohhh, that’s what tables definitely sounds like. OK, I’m good.”

In Prometheus ( again !), the Weyland Corporation’s holograms don’t have a tint, but they’re so transparent that all individuals on the crew likely objective up with a migraine anyway.

20 th Century Fox “Oh, I thought it was the script causing that.”

If you utterly need to communicate visual datum over a vast distance, why would you choose this technology? Think of the bandwidth accusations! We already know the future doesn’t have Net Neutrality.


Nobody Likes Video Calls( Except In The Movies )

With the possible exception of flying vehicles and sex-bots , no engineering shows up in sci-fi movies as often as video bellows. Whether they’re discussing something of galaxy-shattering importance or reminding their spouse to buy eggs, everybody in the future does everything via video calls. We see it in …

Marvel Studio Guardians Of The Galaxy

Warner Bros. Pictures Demolition Man

TriStar Pictures Total Recall ( the good one)

Columbia Illustration Total Recall ( the Colin Farrell one)

Paramount Pictures Star Trek Into Darkness

… and like a million other movies. We’ll stop now, or we’ll is right there all day.

Why We’re Not Using This Today:

We are! Video calling is eventually a reality! And it sucks. Seriously, unless it’s for Twitch streaming, nobody utilizes it. And it’s easy to watch why.

You can take voice calls in almost any situation where you can talk, but if you take a video call, you have to look like a decently garmented, reasonably groomed human being. Plus, you were supposed to make sure you didn’t leave something like, say, a giant pink dildo visible in the background. Which has happened. On the BBC.

And yet sci-fi characters love this technology so much that they’ll literally risk “peoples lives” to use it. In 2017 ‘s Valerian And The City Of A Thousand Planets , right as the characters are leaving a planet’s orbit, the face of their boss pops up smack dab in the middle of their ship’s front viewport. That could kill you while you’re driving a car, let alone piloting a spaceship.

EuropaCorp “Just called to remind you that driving and Skyping is illegal. Also, you’re fired.”


Super Advanced Robots Always Have Needlessly Terrible Vision

One of the coolest types of shootings is when we go inside a robot’s head to see the behavior they look at the world. Like in the Terminator movies, in which Arnold Schwarzenegger sees everything through a badass red filter, with a bunch of important-looking numbers and text readouts πŸ˜› TAGEND

TriStar Pictures Why isn’t the text in Austrian, though?

Or the recent RoboCop remake, where the Robo-Vision( that’s the official name, appear it up) demonstrates everything in an old-timey reddish sepia tone, with, again, added text and data prompts πŸ˜› TAGEND

Metro-Goldwyn-Mayer “0 8 threats and 15 cliches detected.”

Why We’re Not Using This Today:

Look at any decent first-person hitting play. The status saloons and inspires are always minimal and in the corners of the screen. If they took up 30 percent of your monitor, like in the instances above, private developers would have angry geeks with actual firearms outside their houses. All those big letters and numbers are covering up important visual info, permitting AmishTeabaggz4 2069 to sneak up and shoot you in the chief. And what are they even there for? Terminators have computers for brains. Why do they need to see the data they themselves are processing?

On top of that, the obligatory ruby-red tint induces these killer robots effectively colorblind, and prevented from easily differentiate between, say, blood and other liquids, which you’d believe was essential to in their line of work. At the other objective of the spectrum, we have medical robots like Baymax from Big Hero 6 , whose internal HUD looks like this πŸ˜› TAGEND

Walt Disney Pictures “Slack-jawed and dumb-looking … perfectly healthy for a teen boy.”

All those widgets are probably helpful for a robot that patches up humans, but that blue tint … isn’t. Baymax needs to see his patients as accurately as possible , not only to identify any physical symptoms, but likewise to attain treatment easier. It’s been demonstrated that blue light hinders injections, since it’s harder to find a vein under the patient’s skin.

Meanwhile, in Chappie , the law-enforcing robots that patrol the streets are all apparently equipped with crappy late ‘9 0s webcams. Imagine trying to shoot the correct criminal if this was what you realized πŸ˜› TAGEND

Columbia Painting Can robots get motion sickness?

To be fair, all these instances are still an improvement over 1973 ‘s Westworld , wherein the highly advanced Yul Brynner robot, whose sole purpose is to shoot people in gunfights, can’t even tell a fork from a spoon.

Metro-Goldwyn-Mayer Sporks make their chiefs explode.


Computer Screens In Science Fiction Movies Are Worse Than The Ones We Have Today

In sci-fi movies, computer screens are elaborate showings of carefully matched colors and captivating animations( even when no one’s have them ). They’re all packed with graphs and numbers and all sorts of doubtlessly essential info. Marvel at the snazzy monitors in 2009 ‘s Star Trek

Paramount Pictures

… and Avatar

20 th Century Fox

… and naturally, good ol’ Prometheus πŸ˜› TAGEND

20 th Century Fox

Why We’re Not Employing This Today:

We lose ten minutes of work period every time a pigeon lands outside our window. If you had to do your work next to a bunch of huge screens that retained looping through colorful graphics, you’d likely get quite confused. And if your own screen insisted on performing a lovely animation every time you updated some data or asked for an analysis, you’d probably start daydreaming about Microsoft Excel for the first time in your life.

In almost every sense, these sci-fi screens are a huge step backwards compared to what we have now. Virtually all of them have low contrast( stimulating it harder to read things at a glance) and a grand total of four colours, all of which are usually fluctuations of blue and green. The Avengers πŸ˜› TAGEND

Marvel Studios This would look better unless they are all playing Galaga .

Mars ( a National Geographic miniseries ):

National Geographic

Prometheus πŸ˜› TAGEND

20 th Century Pictures Last time, we promise!

Not only does this mean that you run out of ways to highlight important stuff promptly, but the preponderance of blue and absence of ruby-red tones can even be dangerous. Assure, when your eyes have adapted to a dark surrounding, illuminate of any coloring except red will interrupt that modification. This is called the Purkinje impact. That’s why interfaces for things like submarines and aircrafts use a lot of red, which lets, for example, pilots flying at night to clearly realise both the screen and the position outside their cockpit. But on the other hand, blue appears neater, so that’s a fair tradeoff.

These sci-fi screens fail at the most basic function of a user interface: conveying info quickly and easily. Everything important is hidden in dense blocks of tiny text and numbers scattered around the screen. The only route the following screenshots make sense is if the specific characteristics have superhuman eyesight or magnifying glasses πŸ˜› TAGEND

Marvel Studios The Avengers

Paramount Pictures Star Trek Beyond

20 th Century Pictures Avatar

For comparison, here is a real-life NASA mission control chamber πŸ˜› TAGEND


Note the lack of flashy animated visualizations. The multiple high-contrast colorings. The text that is readable when you’re at the intended distance. And Earth has yet to be attacked by alien invaders. Coincidence? We don’t think so.

Prometheus isn’t a bad movie, but please make sure you’ve discovered Alien before watching Prometheus. We talk about that movie a lot on this website too .

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